AI carries generated material into a finished, editable sequence and supports the edit itself.
The editor receives AI-approved VFX versions with their source and revision history intact, helps organize them inside the sequence, supports timing and shot matching, continues AI assistance during revision, and keeps audio, captions, color and delivery controls available for final creative approval.
Editor & Finishing
The editor keeps source footage, approved VFX passes, audio, captions and finishing controls together so the final output remains editable.
Open StudioTimeline assembly
Trim, reorder and compare source and generated versions.
Audio
Place dialogue, ambience, effects and music against the sequence.
Color matching
Reduce visual jumps between source, generated and replacement shots.
Captions & delivery
Create captions and export the finished project in common delivery formats.
AI output stays connected to the edit and the project decisions behind it.
Editor & Finishing is where generated shots, original plates, audio and titles become a finished sequence. The goal is to keep post-production control available after generation instead of forcing the creator to export every result into a separate editor.
Timeline assembly
Arrange shots, trim timing, compare alternates and keep generated versions associated with the clips they belong to.
Version switching
Move between original footage, VFX versions and repair passes without manually relinking a collection of exported files.
Color and shot matching
Generated inserts and transformed footage can be adjusted to sit more naturally beside practical footage through shot-level color and finishing controls.
Audio and dialogue
Bring production audio, music, effects and voice material into the same sequence so visual timing can be judged against the actual soundtrack.
Titles and captions
Add text, subtitles and caption layers without leaving the project, keeping the final deliverable inside one editing state.
Export and revision
Render the finished sequence while preserving the underlying project so a later change to an effect or shot does not require starting the edit again.
Finish the scene with the source still one click away.
One of the useful consequences of a connected project is that the final timeline does not need to forget how a shot was made. A transformed shot can still point back to the original plate, the effect brief, previous versions and any repair passes that were used.
That relationship matters when a director wants a different performance timing, a client asks for a less aggressive effect, or one shot needs to match a new version of the sequence. The creator can return to the relevant stage without rebuilding the whole pipeline manually.